![]() how we take what we know and fashion it into fire.Īnd as a presentation as a sofa-activist, it strikes a chord. and implicitly of the process of any improviser. Wonderful presentation of a jazz musician's process. Reliance on coincidence, but no more so than Charles Dickens did.Much more description than conversation.This (like the previous point) is a way of getting the reader to pay extra attention to the text. The change of rhythm between un-metered and iambic Much of the text is iambic, so one almost feels it is.Trying to remember if they have heard of some particular thing outside of a Crace novel. Their names and attributes are plausible enough to be real. With inventions of just enough sayings and songs, plants and creatures. A partially invented world, which gives the reader a slightlyĬrace creates a slant-wise parallel universe for his stories,.Many techniques present in books by Crace are a signature of his style: ![]() Books by Jim Crace: 'The Pesthouse', 'The Gift of Stones', 'Quarentine', etc. Books by Jim Crace: 'All That Follows', 'The Pesthouse', 'The Gift of Stones', 'Quarantine', etc. ![]()
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